My day job is creative directing for fashion brands—art directing shoots, building campaigns, and spending more time than I'd like to admit thinking about light and composition. Photographing weddings started as a side of that work, but it quickly became the thing I looked forward to most.

Everything I've learned from editorial—how to frame a moment, how to work with natural light, how to find the image inside the chaos—I bring to your wedding. The difference is that none of it is scripted. No one is hitting a mark. Your day is emotional and unpredictable and full of moments that only happen once. My job is to be ready when they do.